Friday, October 16, 2015

Dysfunctional Family Circa 1740

by Beverle Graves Myers

I was on my second book in the Tito Amato Baroque Mystery series when I realized I was really writing a family saga. I’ve never been a fan of the lone wolf detective who moves through life avoiding all ties. I prefer stories that feature sprawling, messy families. Steven Saylor’s Gordianus the Finder mysteries and Elizabeth Peters’ Amelia Peabody series are particular favorites. Since we tend to write what we like to read, each of my Tito novels presents my sleuth with an intriguing murder to solve, plus two important sub-plots. One has to do with family and personal relationships, the other a challenge to his singing career. Guess which bits turned out to be the most fun to create?

Tito is an amateur sleuth in an era that had little formal law enforcement. As a young boy, he was castrated to preserve his beautiful soprano voice and sent away from Venice to Naples to train for the opera stage. We first meet Tito in Interrupted Aria as he returns to Venice to make his professional debut. Besides feuding singers and a lecherous theater owner, Tito must reconnect with his troubled family. Some introductions are in order:

Alessandro: Tito’s older brother, a rough-and-ready merchant seaman who has no use for the opera. He remembers Tito as the little boy who used to follow him and his friends around Venice making a general pest of himself. He barely recognizes the elegant, polished young man who returns from the Naples conservatory. Despite his discomfort at having a singing eunuch in the family, Alessandro makes an effort to bond with Tito.

Annetta: Tito’s sister, just one year older, his closest confidant and staunchest supporter. Annetta eventually marries Englishman Augustus Rumbolt, who becomes Tito’s friend and sleuthing sidekick.

Grisella: Tito’s younger sister, just thirteen on his return. Highly emotional and a constant troublemaker, Grisella suffers from what we would call Tourette’s Syndrome. She shares Tito’s talent for singing, but not his high-minded ideals. I think of her as the fictitious love-child of Sarah Bernhardt and Rasputin.

Isidore Amato: Tito’s father, a cold loveless man, a widower since Tito’s mother died at Grisella’s birth. He is the organ master at the Ospedale Mendicanti, a girls’ school and orphanage. Isidore holds the secret to Tito’s most pressing personal question: Why did his father allow the surgery that made him into a castrato singer so many years ago?

Liya Del’Vecchio: A Jewess from the Venetian ghetto who makes masks and headdresses for the theater. The beautiful but opinionated Liya becomes the love of Tito’s life. His physical condition is only one of the barriers they must overcome.

Throughout the series, Tito’s loved ones become part and parcel of the mysteries he is called on to solve. Because he is an amateur sleuth, his reason for investigating a crime often hinges on his family’s involvement. Sometimes they provide assistance or turn up surprising clues. Often, one of them hampers his efforts though outright duplicity or misplaced concern. Besides providing plot points, Tito’s family helps to fill out his personality and bring him to life on the page. Tito would not be the man he is without Grisella, Alessandro, and the others making his life difficult.

Learn more about Tito and the rest of the Amato clan at my website

I also blog about Tito’s back story and other goodies at

(Excerpted from Mysterious Writers, where you can read Beverle's advice to fledgling writers.)

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