Saturday, September 12, 2015

The Not-So-Lonely Long Distance Writer

by Scottish Author Gillian Philip

When I used to fantasise about being a professional writer, I thought it would be easy in one respect. Look at that JD Salinger, I thought. It’s fabulous, you don’t have to go anywhere or even show your face. You get to sit in your ivory garret all day, staring into space and communing with your muse. Occasionally a polite letter might appear from one’s editor, asking how one’s manuscript is coming along – but hesitantly, tentatively, lest the muse be put to flight.

Erm, not quite. There are times when the Highlands feel an awfully long way from even the Scottish Central Belt, let alone London. And these days – indeed for a long time now – life as a recluse hasn’t been an option for any writer who wants to sell books to more than their mother and their best pal. A gregarious nature is a positive advantage, and so is a Railcard.

Publishers these days expect you to promote your books. More books are being published than ever before, and it isn’t just getting published that’s fiercely competitive – it’s staying published. In other words: selling your books and making your publisher a profit. And when you’re competing for marketing funds with every other author on a list, there’s no point being complacent. You have to be willing, and you can’t be shy. No publisher is going to look kindly on an author who won’t contribute to selling the book they were so keen to see published.

Anyway, it’s fun. I didn’t know what a sociable creature I was till I started promoting my books. For a children’s author this can be particularly rewarding, because once a school audience gets over its usual shyness, students of all ages are terrific at not only asking hard questions, but also telling you their own reading loves and writing ambitions. I’ve watched a workshop class scribble out page after page of story, and thought: How do you make all those words appear? Any tips you can give me, guys...?

Living far from the centre, though, getting gigs can be difficult. Local schools are fantastic, and there’s a healthy population of independent bookshops in the north, as well as some fine literary festivals. But obviously, a school in the south of England isn’t going to want to pay a writer’s Easyjet fare when there are plenty of authors in Surrey.

This is where the Internet has been such a boon to writers. Not only is a personal author website a must, there are wonderful sites like the Scottish Book Trust or ContactAnAuthor that carry writer databases: shop windows and time-savers all rolled into one.

The net is also home to the book blogs. They’re run by enthusiasts with a fine and critical eye, and they give space and reviews to writers who might never see their work mentioned in the ever-shrinking review pages of the traditional press.

And there’s one other huge advantage the Internet has given to writers: pals. It’s home to any number of writers’ groups: invaluable for those ‘water cooler moments’ when you can’t bear the sight of your manuscript any more, you’ve just had another rejection/deadline reminder from your editor, and you’re propping up your eyelids with broken biros. Maybe writing was a lonely business in the past, but that no longer has to be true.

In fact it can be so sociable, you have to be careful to get some actual writing done. Because before you can publicise that literary masterpiece, you do still have to write it...

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