by Marilyn Meredith
Because I write two series, a lot of what I need to do about plotting is already done. My main characters are all set, whatever story I’m going to write will affect them in some way.
Usually when I’m going to write a new book, I start going through my files and see if I’ve saved a news story or jotted down something from a Sisters in Crime meeting, or perhaps a story told at a mystery conference that will trigger an idea for me. What I’m looking for is some sort of interesting crime that I can build on and change that will work for a mountain community—a Deputy Tempe Crabtree mystery—or a beach community—a Rocky Bluff P.D. mystery.
Once I’ve decided on that and how the story might go, mostly in my mind, it’s then a matter of figuring out who will be killed and why and who might have done it. (Always more than one person.) Thinking about motives and opportunity come next. To make it interesting, the key suspects should all have motives and opportunity so that the solving of the mystery is more of a puzzle for both the sleuth and the reader to figure out.
At this point I’ll be taking down notes, coming up with names for people and what they look like, who they are in the town. What relationship, if any, they might have with my ongoing characters.
Deciding on what time of year the story will take place is also important, because weather often plays an important part in the plot. (Raging Water is right after the first of the year, winter time, and a big storm with unrelenting rain plays havoc with everything that goes on in the story.)
Once I have most of these elements in place, I usually begin writing even though I may not know exactly where I’m going or how I’m going to get there. As I’m writing, more ideas pop into my head. I usually write these ideas down in a notebook so I don’t forget to incorporate them in the right places.
I also keep a simple calendar of days and keep notes on what happens on each day as the week progresses. I do this for two reasons, to make sure that all the action that happens could actually take place in that time period, and so I don’t leave out a day.
As the story progresses, I begin to see how things might work out and what will put my heroine or hero in jeopardy for that big climatic ending scene.
And that’s how I go about plotting.
Marilyn Meredith is the author of over thirty published novels, including the award winning Deputy Tempe Crabtree mystery series. She's a member of EPIC, three chapters of Sisters in Crime, Mystery Writers of America, and is on the board of the Public Safety Writers of America. You can visit her website at http://fictionforyou.com and follow her blog at http://marilymeredith.blogspot.com/