
Julie Kramer moved from journalist to novelist. She writes a mystery series set in the desperate world of television news—a world she knows well from her career working as a freelance news producer for NBC and CBS, as well as running the WCCO-TV I-Team in Minneapolis, where she won numerous national investigative awards. Her thrillers, Stalking Susan, Missing Mark, Silencing Sam, Killing Kate and Shunning Sarah take readers inside inside the newsrooms and demonstrate how decisions are made amid the chaos. She's won the Daphne du Maurier Award for Mainstream Mystery/Suspense, Minnesota Book Award and the RT Book Review's Best First Mystery. She's also been a finalist for the Anthony, Barry, Shamus, Mary Higgins Clark, and RT Best Amateur Sleuth Awards.
Julie, tell us about your latest novel, Shunning Sarah.
Shunning Sarah pits two very different cultures against each other: TV news vs. the Amish. I grew up on a family farm in rural Minnesota near some Amish and later spent a career in television news. Writing this book allowed me to incorporate both experiences and live my research. It is a very topical story dealing with real life issues amid the closed society of the Amish - including hair cutting by a rogue Amish sect.
Here’s the story basics: A sketch of a homicide victim’s face is broadcast on the news, but when she is identified as Sarah Yoder, a local Amish woman, the police have difficulty investigating because her family believes in forgiveness rather than prosecution. Because of the biblical ban on graven imagines, they also object to her picture being used by the media. But when a TV reporter finds a clue the cops miss, she uncovers a dark web of fraud and deception - driven by motives as old as the Bible: sex and money.
How does this
latest novel differ from the others in the series?
While each of my
thrillers features the same protagonist - investigative TV reporter Riley
Spartz - they are all self-contained, so new readers don’t have to start with
my debut to make sense of the others. But each book delves into very different
murders and news stories, so fans won’t feel they’ve read this before. Besides incorporating Amish elements,
SHUNNING SARAH also looks at how television newsrooms are changing - and not
always for the better.
Why did you decide
to use two word titles with the same letters for all your novels?
While writing my
debut, Stalking Susan was my working title. My editor loved it and didn’t want
to hear any others. For my second book, my working title was Never Worn - after
a wedding dress want ad. I thought it sounded mysterious and poignant. My
editor thought it sounded dull and boring. In a smart-alecky moment, I asked,
“So what do you want to call it? MISSING
MARK?” She said, yeah...and didn’t want to hear any other titles. That’s how my
books became branded. The verb is actually more important than the name. Once
I’ve locked in on the verb I figure out a title character name. For instance, I
wanted to use “shunning” and I needed an Amish name, so I picked “Sarah.”
How did your
protagonist Riley Spartz come about? You
gave your TV reporter an unusual name. How did it originate?
Her name didn’t
seem unusual at the time. Spartz was my mother’s maiden name and I used it as a
salute to her. I’ve always liked the name Riley, and had wanted to use it for
one of my kids. But my husband didn’t. So they are named Alex and Andrew. But
when the time came to name my heroine, I didn’t hesitate. Neither my agent nor my editor ever suggested
changing her name.
I spent a career
in television news, I like to think my protagonist and I are both smart, savvy
and relish scooping the competition. But she is more ratings driven than I
was....partly because it’s now become more of a necessity in TV news. I was
always a news producer so my work was behind the scenes - in the field and in the newsroom. I decided
for storytelling purposes, my heroine needed the added pressure of being on
camera.
You’ve had some great reviews. Which do you cherish most?
I’ve gotten
fabulous national reviews from People Magazine, USA Today, and the Associated
Press, but I cherish any positive review and especially enjoy hearing from
readers.
Advice for
fledgling novelists?
Don’t worry on
page one whether or not your concept is believable or not. It’s your job as a
writer to make it believable. That’s a better question to ask a hundred pages
into your manuscript, otherwise you might talk yourself out of a cool premise.
Remember truth is stranger than fiction. Sometimes a reader will ask me, “That
couldn’t really happen, right?” I reply that nothing in my books is as crazy as
what they’ll see on the news tonight.
What’s the biggest
difference between writing fiction and writing news?
In fiction, books
always have resolution. In real life news events, that doesn’t always happen.
http://www.goodreads.com/author/show/1256106.Julie_KramerJulie
Kramer interview questions

6 comments:
Welcome back to Mysterious Writers, Julie. It's a pleasure to have you visit here again.
Great to hear from you again, Jean. I'm heading on the road for book tour soon - Minnesota, Nebraska, Iowa, Wisconsin, Ohio,Pennsylvania and Michigan.
What a great interview. This book sounds fascinating. Thanks for letting me know about it.
Thank you, Cheryl. Julie writes some fascinating novels.
I have a friend searching for a title for her book at the moment. It was really interesting to hear how your titles and branding came about.
Wow that
was strange. I just wrote an extremely long
comment but after I clicked submit my comment didn't show up. Grrrr... well I'm
not writing all that over again. Anyways, just wanted to
say great blog!
Here is my web blog: My Site
Post a Comment