Saturday, February 12, 2011
Mike, you’ve had some great reviews, but how did you manage the one from Governor Bill Richardson?
I served as president of New Mexico State University back in the nineties when he was one of our Congressional Representatives. He was very supportive of higher education, and I worked with him (mostly his staff) on several projects, including one for Hispanic-serving institutions that tied NMSU with the University of Puerto Rico and some other universities in a federal project. So when I retired and started writing books, I asked him for the review and he graciously consented. And it didn’t hurt that my books attract attention for the state.
Tell us about your award winning Pot Thief Mystery series.
The protagonist was a “pot hunter” in his early days, digging up and selling ancient pottery. When that practice was outlawed, he was rebranded as a pot thief, but he rationalizes what he does. Unfortunately, his clandestine excavations often tie him to a murder which he must solve to clear himself. He’s somewhat clueless but often gets inspiration and assistance from his sidekick Susannah who acquired her mystery solving skills by reading murder mysteries.
How important is humor in a mystery series?
I think every mystery, no matter how noir, must have some humor if for no other reason than to break the tension. In my books, even the tension is funny. At least I hope it is.
Your series has been described as a “thinking man’s mystery.” How would you describe it?
The protagonist is part thief, part social critic who finds popular culture unfathomable. He cherishes the naïve belief that reason works.
What else have you written besides A Partially Truth-Functional Modal Calculus and Are Modal Contexts Referentially Opaque?
Dozens of other such papers. Were you to be stranded on an island with them as the only printed material, the chances are you would burn them for cooking fires rather than read them.
Why does someone with your advanced education decide to write mystery novels?
Because writing fiction is fun.
What are you working on now? And is there some project in the back of your mind you’d like to write about?
I also write plays. I have written two comedies, but now I am trying my hand at a serious play.
Who most influenced your own work?
Michael Bond, Lawrence Saunders, and Lawrence Block.
Advice to fledgling writers?
I wish I had some sage advice to pass along, but I don’t. One learns the craft of writing like one learns most skill – long hours of practice. Write, write, write. Take a break and read – you’ll see things in what you read that you wouldn’t have noticed before you started writing. Then repeat the cycle for a few years, always getting people to read your work and give you feedback. At some point you will look at your early attempts and shudder. That means you are making progress.
Thanks for stopping by, Mike. It's good to have you with us.
You can drop in on Mike anytime at his website: http://www.orenduff.org/
His blog is temporarily suspended